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LIST OF [[app.bookmarks.length]] ELEMENTS

NOT FOUNDED ELEMENTS

3D

Boot

Artist/Maker Unknown

Date Production/Creation 20 century
Entry in the museum collection Terminus post quem 1950

Place of origin Ozzano Taro, Collecchio, Parma, Emilia Romagna, Italy
Current location Ettore Guatelli Museum foundation, Ozzanno Taro, Italy

Material Boot that has been repaired and resoled countless times using wire and nails
Dimension 24 x 11x 14

Inventory Number

Keyword Scarcity Repair Self-made/DIY

Copyright @Fondazione Museo Ettore Guatelli

Status On display

Image Credit Mauro Davoli

As the old saying goes, you can tell a lot about a person from their shoes.

What is this object about, who are the people behind it?

The Ettore Guatelli Museum is home to a boot once worn by a young farmer – a boot with a patchwork of stories entwined. The boot tells the stories of the countless times it was worn, patched up and mended to accompany the farmer as he laboured in the fields, of the time it was discovered in an attic by a collector who brought it to the Ettore Guatelli Museum, and also of the time it met two photographers from Rome, who shot it for a poster that would see it travel round the world as the poster child for Guatelli’s initiative to set up a museum to house his finds that bear witness to the craftsmanship in rural communities that would let nothing go to waste.

What places is this object related to, how European/transnational is it?

The Ettore Guatelli Museum’s boot opens up many potential avenues of thought to be explored. The first might be for us to look beyond the local, beyond the Emiliana countryside, to the life and work of rural communities throughout Europe and across the globe. Over the course of history, who knows how many boots will be repaired and resoled so that they may reach their potential and tread who knows which roads. And today, ‘the boot’ might also come to symbolise the step it takes to transcend borders, envision a common path and harness the value of freedom.

Why and how did this object arrive in the museum’s collection?

In the 1950s, Ettore Guatelli began increasingly regular visits to waste collectors’ storerooms in the Apennines, gradually laying the foundations for his future museum. From the mid-1970s, his collection expanded considerably, becoming unintentionally part of a growing trend in the seventies and eighties for the revival and promotion of popular culture. As a result, his establishment became a unique and inimitable demographic, ethnological and anthropological heritage museum of 20th-century Italy.

What is the relation of this object to waste?

It was in 1994 that Ettore Guatelli published an essay entitled ‘Waste at the Museum’ in the fifth issue of the periodical ‘Ossimori’. In it, he addressed a highly topical issue, now fast becoming an emergency, stressing the need to reflect on the nature of waste and discarded objects and, more to the point, the recovery and recycling thereof. It is here and even more so in waste disposal that the historic key to genuine ‘democracy’ is to be found.